The 2009 Lunchies
Wednesday, April 21st, 20102009 is so four months ago, I know, but heck, if you’re still with me after all we’ve been through in the last year, then I’m assuming you understand.
As I’ve covered here, last year was a tough year for reviews, due to all the necessary breaks from blogging. Still, there was definitely enough for me to be able to hand out the 2009 Lunchies, the MPL awards for Song, Album, and Artist of the Year. Of course, these are awards are based on what I reviewed during the year, with no necessary connection to what was actually released during the year.
2009 saw two Best Song Evers, “How Deep Is Your Love” by The Bad Plus and “9 To 5” by Dolly Parton, so we can start there for the Song of the Year Lunchie. Those songs are so different as to nearly be incomparable. They’re very dependent on the moment, as if you’re in the mood for a slow, modern jazz disco cover, you’re going to want “How Deep Is Your Love,” but if you want to boogie, it’s “9 To 5″ all the way. I think the former is deeper with more beneath its surface, but in the end “9 To 5″ walks away with the Lunchie for being so much more powerful. The Bad Plus gets honorable mention, though: since their album was actually released in 2009 it was without question the best song from 2009 that I heard.
2009 saw no 5-lunchbox CDs (unless you count Queensryche’s Operation:mindcrime, which I’m not since it was somewhat of an unofficial review…if I were counting it, it would easily win this award), so the short list for Album of the Year starts with the six 4.5-lunchbox CDs reviewed. Shortening that list wasn’t tough, as I pretty quickly had it down to either The Airborne Toxic Event’s self-titled debut or The Cutters’ Sunday! Sunday! Sunday!, with The Bad Plus’s For All I Care barely missing the cut for the finals. My memory couldn’t decide which was better, so I gave each another close listen and felt that the former was stronger all the way around, despite the latter’s higher peaks of quality. Besides, ATE’s album had no non-keepers, compared to two on that of The Cutters, so that seems pretty clear cut to me. Therefore, the 2009 Album of the Year Lunchie goes to The Airborne Toxic Event.
Which brings us to the 2009 Lunchie for Artist of the Year, which again comes down to two candidates in a close call. On the one hand you have The Cutters clocking in with two albums quite different in style at 4.5 and 4 lunchboxes. On the other hand, there was Elliott Smith, with consistent, both in terms of style and quailty, 4-lunchbox performances across three releases. I can’t lay out a solid case as to why, but I’m going with the larger, and, as with the Album award, more consistent body of work of Elliott Smith over the meteoric nature of The Cutters. Elliott Smith is MPL’s 2009 Artist of the Year.