
This is the second of the two samplers I picked up at SXSW a few years ago outside the +/- show we couldn’t get into. It’s a shame I reviewed the first one almost 2.5 years earlier since this one is 2.5 lunchboxes better.
This is a sampler album, but it almost coheres. In fact, it coheres so well that my second-biggest complaint is that it’s a bit monochromatic and some of the bands are tough to distinguish from each other. But it’s hard to state your personality with one song. My biggest complaint would be that the sound quality is peaky throughout, making listening for the entire 75 minutes quite fatiguing.
My third-biggest complaint is that there are two pieces of knock-you-over-the-head-with-a-three-note-hook pieces of trash on here. But even those two, “Hallelujah The Hills” by the band of the same name and “Sunrise” by Marshmallow Coast have their almost-redeeming moments throughout.
The album starts with its best song, “Our Haunt” by Palomar. Except for that peaky sound quality problem I mentioned, I love everything about it: the vocals, the melody, the musical explosions, all of it.
“Another Day (And Yoor Still Knocked Out)” by Evangelicals starts so abrasively chaotic that no matter how loud I have the disc when it comes on, it has to get turned down. It’s just too much, but in one of the disc’s biggest surprises comes back to redeem itself. It’s hard to enjoy this band given the horrors their name conjures up, so it’s really saying something about how good this song turns out to be that I like it as much as I do.
“Bodies And Minds” by Great Lake Swimmers and South San Gabriel’s “I Feel Too Young To Die” both flit back and forth between keepers and non. In the final shakeout, the latter is simply fine but nothing special while the former’s high points are enough to warrant the space it consumes.
Speaking of flitting, Mendoza Line’s “Catch A Collapsing Star” is a Wilco-via-Bob-Dylan-y thing that flits back and forth between mixer and keeper depending on…you know…I have no idea, but my notes on this one are completely schizophrenic in that regard. So we’ll give it the benefit of the doubt and make it a candidate.
That song leads into a fantastic stretch that is the magic of sampler CDs when they coalesce into awesomeness for several songs. Will Johnson’s “Just To Know What You’ve Been Dreaming,” “Fire Engine On Fire, Pt. 2” by Flotation Toy Warning, and “Mountain Laurel” by Shearwater all consistently compete for the honor of the CD’s second best track. Flotation Toy Warning even beautifully employs a theremin, an impressive feat given that the theremin is that weird instrument used in old sci-fi movies that basically just sounds like old sci-fi movies everywhere but here.
Shearwater’s lead singer reinforces my preference for gorgeous male voices. With the amazing amount of male voices in rock these days, it’s amazing that mediocrity like Fleet Foxes gets pumped the way they do. If you want harmonies, try The Beach Boys or Galactic Cowboys, both of whom do it much better.
Near the end Saint Thomas brings “Strangers Out Of The Blue,” a very Neil Young-esque tune. In fact, I even Binged “Strangers Out Of Blue” to find out if it was a Neil Young song, but instead came upon this sad website:
This is a fanpage dedicated to the Norwegian artist St. Thomas, also known as Thomas Hansen, born in Oslo on February 13th 1976. Battling with addictions, and self-medicating his own inner demons, Thomas was sadly found passed away in his Oslo apartment on September 10th 2007.
The album goes from that tragic evocation into a weird sound-collage ending by Bablicon entitled “Bahamut.” My initial reaction was that it was another example of recording being too easy if people can just plop down sounds with no artistic statement to feel deep, but after a while a song does emerge…not quite enough to warrant keeping it on my DMP, but it’s decent.
Which brings us back to my third biggest complaint, which is that there are two awful songs on here and two more that don’t quite get over the keeping barrier. But you’ve got to expect some trash on a sampler. If this had been a disc by an artist, my complaints may have combined to keep it at four lunchboxes. Given the format’s handicaps, though, this is a pretty solid 4.5 lunchboxes
Rating:

Mixers: “Our Haunt” (Palomar), “Flor De Leis” (Slow Dazzle), “Catch A Collapsing Star” (Mendoza Line), “Just To Know What You’ve Been Dreaming” (Will Johnson), “Fire Engine On Fire, Pt. 2” (Flotation Toy Warning), “Mountain Laurel” (Shearwater), “Strangers Out Of The Blue” (St. Thomas)
Non-keepers: “Hallelujah The Hills” (Hallelujah The Hills), “I Feel Too Young To Die” (South San Gabriel), “Sunrise” (Marshmallow Coast), “Bahamut” (Bablicon)
Filed Between: Muddy Waters (King Bee) and Weezer (the blue album)